You met a guy online. You have had four or five dates, and you haven’t so much as held hands. He is artistic. His expensive button-down shirts are decorated with bold, colorful patterns. He has two tickets to the Body Worlds Exhibition in Denver. A traveling display of human bodies and body parts that have been preserved using a process called plastination.
When I was a child in the late 1950s, the streetlights ended two blocks before our neighborhood on the edge of our small Ohio town. Given the midwestern custom of early dinners, my friends and I often played outside afterward. On dark, moonless nights in late fall and winter, familiar yards were transformed into mysterious black voids relieved only by trash burning here and there in an oil drum.
The waiting room in the ER at Rome’s Policlinico was a vast rectangle with four banks of chairs set facing each other in a much smaller rectangle. One group of chairs was missing a front stabilizer, which meant that any time someone sat down or stood up, the rest of the chairs moved in unison.
The zombie community is astir with controversy. One faction insists that zombies are mindless creatures who cannot make the traditional moan for “brains.” And that in any case, they don’t crave brains specifically, but the flesh, blood, and organs of any living human. This is what I’ve learned from scrolling through chat boards.
The first day, I pace the red-light district, looking for a hotel, my suitcase banging my leg. At noon, sick of carrying it, I open it. My maid-of-honor dress, midnight-blue silk, spills onto the sidewalk. A dress I spent four hundred and fifty dollars on, a dress I will never wear. I stuff it into a garbage can, where it billows out, a bloated flower.
. . . when the Rapture comes, they will be taken up
only halfway: forever suspended in the middle of the clouds
as the checkerboard earth and the vast blank oceans
revolve beneath, as cryptic patterns left by intercontinental jets
slowly fade away against the blue-black dome above.